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Sandro Botticelli would have been a great Italian painter from the Early Renaissance, whose most well-known words are Calumny Of Apelles, Adoration Of The Magi, The Birth of Venus and others. The Birth of Venus was painted in 1486. It depicts the goddess Venus was created and arriving at the sea-shore. At that time, Botticelli was commissioned through the Medici group of Florence to operate with this painting. And now it really is kept on the Uffizi Gallery in Florence, Italy. If Giotto developed a ” new world ” of the Italian realistic painting, then Botticelli made the globe more colorful.

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In the imagination with the ancient Greeks, Venus came to be from the sea as fully grown woman, Plato had available an idealist interpretation to the myth, In his mind, beauty wouldn’t generate gradually or from unbeautiful things and it’s also incomparable, Botticelli followed this interpretation during his image creation, especially in the image of Venus which is prior to the classical style of the sculpture. The only difference is the position of the hands. The whole picture will not have those grace and magnificence depicted by classical sculpture painters but really a sluggish and weakness. Of course, whenever we only understand why painting on this point, it’s artistic value would be greatly reduced.

The portraits in the 15th century like Man in Red Turban produced by Yang Fan Ike were mostly the graphic character description. Male images in Durer’s portraits were majorly brimming with vigor, but cold in personality. In Portrait of Holtzman Shure, Holtzman Shure were built with a square jaw which has a bald head whose eyes were full of radiating vigor checking out the viewers directly, which immediately caused a sense of urgency for the viewers. Highly realistic art skills immediately revealed the characters’ personality, which made the viewers and characters in painting establish a type of magical mental contact. Holz Schur was obviously a friend of Durer and was a councilor with the capital of scotland – Nuremberg. He had repeatedly defended this city within the invasion of foreign enemies. Except one inscription and Durer’s signature, the painting’s background had nothing, which effectively strengthened the perseverance and arrogant characters of Holtzman Shure.

In 1774, he went to Italy where he studied the works of masters and gradually formed his neoclassical style. He returned to his motherland in 1781 and designed a series of ancient hero’s spirit paintings The Oath with the Horatii, The Death of Socrates (1781), and Brutus executing his son (1789) to sing the praises of the Republic and revolution. He also had actively involved in the revolutionary movement.

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